"The Good Guys"
FADE IN:
EXT. NEW YORK COUNTY COURT - MORNING
The hard gray exterior of the court sits before us, patrons
moving into and out of the building.
INT. NEW YORK COUNTY COURT - OUTSIDE COURTROOM
Outside of a courtroom we find CRAIG WATSON, one among many
dozens of people that have gathered. Craig wears a very
expensive looking suit, and speaks into a cell phone.
CRAIG
I understand that, but it's going
to be difficult without a reason.
Craig listens, sighs.
CRAIG
Yes, I suppose so, but...
(beat)
July is a long shot. Right now our
best bet is March, and even then...
(sighs again)
Okay. Alright. See you then.
He hangs up the phone, frustrated.
VOICE (O.S.)
Watson? Craig Watson, is that you?
Craig turns and is shocked to find FOGGY NELSON standing
before him, looking rather surprised himself.
FOGGY
Well this is something I never
expected to see.
They shake hands.
CRAIG
It's a long story.
FOGGY
I heard you're working for Wilson
Fisk now? How's that working out
for you?
CRAIG
Money's good, but he's got to be
the most unreasonable man I've ever
met, much less represented.
FOGGY
Get used to it. These corporate
types? It's their way or the
highway. I'm guessing Fisk is no
different.
(beat)
So that explosion, it seems pretty
clear cut to me. How do you plan to
defend against all those charges?
CRAIG
It was an accident, apparently.
FOGGY
An accident? Craig...
Craig puts his hand up.
CRAIG
I know, I know. Believe me, I know
how it sounds. Officially, we're
going with a shipping mix-up with
the chemicals. He says he has
documents to prove it.
Foggy looks at Craig for a moment.
FOGGY
What are you doing, Craig?
CRAIG
What do you mean?
FOGGY
All this... it's not you. Wilson
Fisk? That's not the Craig Watson I
remember.
CRAIG
The Craig Watson you remember
didn't have a family to support. I
can't afford to be picky right now.
FOGGY
Oh, you've done alright for
yourself. Every lawyer in the city
wanted the Fisk gig. It's no secret
why he chose you.
CRAIG
Yeah, okay. I get it, Frank. Bring
in the good guy for sympathy. You
know what? That's fine with me. It
doesn't change anything.
FOGGY
Doesn't it? You can tell yourself
that all you want, but I know you
too well. This is getting to you.
Craig doesn't respond as he considers Foggy's words.
FOGGY
Just do me a favor.
(beat)
Watch yourself, alright?
Foggy pats him on the shoulder before walking away. Craig,
meanwhile, is left to his own thoughts.
CUT TO:
EXT. FISK TOWER - AFTERNOON
The building towers above the heart of the city.
FADE TO:
INT. FISK TOWER - CRAIG'S OFFICE
A nice office, if a bit on the small side. The doors part as
Craig enters with his briefcase in tow. He suddenly stops.
Standing in front of his desk is WILSON FISK.
CRAIG
Mr. Fisk...
FISK
Sorry if I startled you. I was just
anxious to see how things went.
CRAIG
I managed to buy us another three
months. It's the best I could do.
Fisk doesn't seem pleased.
FISK
I'm disappointed, Craig. I was
counting on you to buy us the time
we need. What went wrong?
CRAIG
Wrong? Nothing went wrong. This
judge doesn't make a habit of
pushing off trial dates for
anything other than special
circumstances.
FISK
Did you explain...
CRAIG
Yes, and I don't think he bought
it. To be honest...
(beat)
I'm not sure I do either.
Fisk's expression hardens.
FISK
What are you implying?
CRAIG
Nothing, it's just that... people
already have this preconceived
notion of who you are. There's no
sense in playing into that by
pushing off the trial date. It's
bad for public image, and in a
situation like this, that's bad for
the case.
FISK
What the public thinks is of no
concern to me. I deal in facts, and
the fact is what happened at that
plant was an unfortunate accident.
Fisk steps closer to him.
FISK
Now I need to know we're on the
same page here, you and I.
Craig hesitates.
CRAIG
Of course we are.
FISK
Good. We have nothing to worry
about then.
Fisk looks back, picking up a small framed photo off Craig's
desk. The photo is a portrait of Craig and his family.
FISK
Your family?
Craig appears uneasy, but nods.
FISK
They're lovely.
Fisk sets the photo back down and begins to exit, first
stopping beside Craig.
FISK
You're doing this for them,
remember. They're lucky to have
you.
Fisk exits, leaving a nervous and uncertain Craig in his
wake. Craig walks to his desk and picks up the photo.
CRAIG
(low, to himself)
For them...
He stares at the photo for a long beat, then sits it down. As
he walks around to take his seat, we CLOSE ON the photo of a
smiling Craig, KATHERINE, and MARY JANE.
Off this image:
FADE TO BLACK.
THE END
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