‘Inhuman Condition’ in the news!

Inhuman Condition banner

MZPtv alumni RJ Lackie and his webseries Inhuman Condition have been featured in a web series spotlight blog post on nicegirlstv.com, a snippet of which we shall kindly reproduce below:

In early 2012, RJ Lackie completed writing a 100+ page web series that he called The Inhuman Condition, which won him a TARA Award at the Canadian University for which he attended. That web series was bought by Smokebomb Entertainment, part of the Shaftesbury Company, a film, television and digital media production company based in Toronto, Canada since 1987.

NEW WEBSERIES: V Morgan Is Dead

We’re very proud here at MZPtv as one of our own, Sarah-Jane Sheppard, has turned one of her virtual series (episodes written in script format and uploaded for readers to enjoy in that format alone) into a fully-fledged video webseries: V MORGAN IS DEAD. What was once “The Company” has undergone a few changes, but fans of the virtual series will certainly spot plenty of similarities. We wish Sarah-Jane the best of her luck on these continuing adventures.

Watch the first 3 episodes of the webseries below!


Directionless, quirky 20-something V Morgan dies and arrives on The Sixth Floor. Where she ends is where her story begins.

Directed By: Zoe Robyn
Written By: S. J. Sheppard & Mika Collin

MZPtv/Fiction Vortex – Serial Box Prose Competition

Do you write prose? Do you want the chance to create a brand new series which will be self-published and sold as part of a wider, connected universe? Welcome then, MZPites, to an exciting new opportunity!

You see Lee Chrimes and I have joined forces with a really cool new project called FICTION VORTEX, who you can find here: http://www.fictionvortex.com

They recently ran a Kickstarter project to fund a new initiative called the ‘serial box’; imagine our own scripted series wrapped up in box sets and simply replace scripts for prose, and you’re on the right track. Weekly episodic stories, four shows as part of a bigger universe, a la Marvel or the Jossverse. With the help too of some MZP folk, they raised over $5000 to make the serial boxes a reality. And the best part?

One of them is an MZPtv Serial Box that launches in January… a box YOU now have the opportunity to be part of! Here’s FV head honcho David Mark Brown to explain a little more of what they are:

https://www.youtube.com/watch?t=1&v=sczQm9njXIs

Lee and I are looking for someone excited at the prospect of writing a continuing prose serial. We have two shows already being written as part of a connected universe and yours, whatever it may be, would be the third. We’re looking for someone dedicated, someone who can write fast & write with passion, someone who will be willing to work tirelessly in creating a brand new fictional universe from the ground up. What do you get for all the work?

Put simply, you get to sell your work and call yourself a (self) published writer. Fiction Vortex will host the serial box on their site and you will make a small profit percentage from every serial you sell.

This is just the beginning too. Lee and I see this model as a major way forward for MZP and we ultimately hope to launch similar next year ourselves – you, along with the admin team, could help shape that future.


So! Here are the rules. The competition will be a three stage process:

1) THE PITCH – you present your show idea, with the emphasis on clearly presenting your concept, characters and where the show may go on a weekly serialised basis. How you present the pitch is up to you, however with this there are a couple of minimum requirements, so please ensure you include the following:

LOGLINE: a one sentence description of your show, i.e. two FBI agents investigate paranormal phenomenon.
PARAGRAPHS: minimum of two describing the idea.
CHARACTER BIOS: ideally a small paragraph giving us an insight into who your characters are.

If you are selected beyond this stage, we will ask for…

2) THE TREATMENT – a detailed treatment of your intended pilot episode for the show, with the emphasis on crafting an exciting story, intriguing character arcs and a thematically rich idea.

If you are selected beyond this stage, we will ask for…

3) THE PROSE – the first 2500 words of your pilot episode, with the emphasis on clear, well-written prose which propels your story while crafting rounded, interesting characters.

We will then select the best piece of prose in that word limit, combined with the strongest show concept and collection of characters, to be offered the third show development spot in the serial box. Lee, myself and Fiction Vortex head honchos David Mark Brown & Mike Cluff will be on the judging panel, with Lee ultimately having the final decision on which show is selected as chief of MZP.

Please do bear in mind that being selected for the commission means a firm commitment with regular deadlines. If you feel in any way that adhering to these will be a problem, I would politely discourage you pitching at this stage.


Okay, if that’s whetted your appetite, let’s present the parameters for the show you’ll be creating. The name of our upcoming serial box is…

FUTUREPUNK
The year is 2045. The future is here. Technology takes greater strides every day. Corporations grow larger. The world stands on the cusp of a new age. Yet danger lurks. Shadowy organisations, underworld creatures and ancient mysteries are awakening. Tomorrow is rising, but what will it look like?

In terms of a visual & aesthetic touchstone, ‘Futurepunk’ riffs off the more well-known ‘Cyberpunk’, which by definition is all dystopian near future settings, where everybody’s kinda screwed. The vibe we wanted with ‘futurepunk’ is more like ‘post-cyberpunk’, which is a more recent literary movement inspired by the big cyberpunk writers of the 80s/90s (so William Gibson, Neal Stephenson, Bruce Stirling etc.), which focuses more on optimism, integrated use of tech into everyday life and generally is a degree more upbeat and hopeful. Examples: Tomorrowland, Fringe, Almost Human, Minority Report etc…

That’s all you’re getting. Let your imaginations run wild. Be as creative as you can. Let’s see something fresh and original.


HOW TO SUBMIT ENTRIES:
— Send your pitches via personal message to Tony Black no later than SUNDAY OCTOBER 25th, 11.59BST. No submissions will be accepted after that time.
DO NOT post pitches directly on the forums. They will not be considered. Click on Tony’s profile to send him a personal message.

Feel free to ask any questions in this thread for clarification, or to learn more.

Otherwise, good luck and may the best writer win!

NEW PODCAST: Tony Black’s “Pick A Flick!”

Is there a particular film you love, or have seen, that you wish more people knew about? Do you want to know fun, interesting and potentially quite surprising details about your favourite, and least favourite films?

If you answered yes, then PICK A FLICK! is the podcast for you.

Designed to hand the power of film podcasting back to the audience, our rule is simple: we don’t pick the films we talk about – you do. Are you passionate about tacky romance films? Do you punch the air at the worst B-movies known to mankind? Secretly are you curious about films with a lot of boobies? Never fear! Your podcasters are here. There is no film we won’t watch, that we won’t study, that we won’t suffer. Then we will podcast about it in excruciating detail, all for you.

So join in! Nominate a film via our Twitter or Facebook handles and we’ll add it to our roster and give you a lovely mention while we do it.

Let the (hunger) games begin!

www.pickaflick.co.uk